Delays were meant to be used as a doubling effect and topped out at 112.5ms. Incoming pitches could be transposed up or down a full octave, and pitchshift could even be controlled by the notes played on an attached voltage-based keyboard. Designed by Anthony Agnello, the 2U rack-mountable device combined digital delay with an astonishing (by 1974 standards) pitchshifting process. Wearing their love of music on their sleeves, they dubbed the unit the H910 (after The Beatles' One After 909). They teamed up with business attorney Orville Greene and began producing phasers and groundbreaking delays that drew upon Random Access Memory (RAM) but it would be their "Harmonizer" that rocketed this part-time avionics company to success. Whether it's called upon for delay, reverb, EQ or dynamics, an Eventide processor will do the job and do it very well indeed.Įventide Clock Works Inc was started back in 1971 by recording engineer Steven Katz and inventor Richard Factor. Even the 30-year-old H3000 still goes for a pretty penny on the secondhand market. This level of respect is not undeserved, as anyone who can afford their lofty mult-ieffects units can attest to. The name itself evokes a sense of awe and wonder among engineers and producers, as if it should be spoken in hushed, hallowed whispers.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |